-a blow-up glowing teepee on the banks of the Seine
-a dumpster which we sat in for a few minutes (after a twenty-minute wait) to listen to an odd collection of sounds which represented the mysteries of the universe
| Here we are waiting in line for our turn to sit in the dumpster. We already figured something was up. |
-a tent full of several-foot-long, thick light-up cylinders hanging from the low ceiling (called "Ghost Market")
-some sort of modern art display in a medieval-looking courtyard
-a respectable piano concert in an interestingly lit church
-a wall of lights and a giant glowing stuffed creature called the Yeti
-a room full of people walking around with purple umbrellas (Purple Rain, this was one of the featured exhibits of the evening)
-a mansion courtyard filled with artistic construction of concrete bricks that might have been created at my engineering undergraduate dorm
-an unscheduled and seemingly impromptu brass band performance outside the Pantheon at about 3:30am. (By the time we arrived, some of the band members had already called it a night, lying down cuddling their instruments while their bandmates enthusiastically played on with a dancing crowd cheering them on.)
In short, the art is generally a little too modern to feel very profound. If you're lucky, you'll stumble across one or two works that really strike a chord or prove to be a lot of fun. Two years ago, I'd really enjoyed an audio work in a church cleared of it pews. A full circle of speakers had been set up, each projecting a different voice. After a few minutes of simple chatter projecting through the speakers, they all silenced and suddenly began an unearthly song which one could hardly be certain was produced by human voices. Everyone in the church simply lay down in the circle of speakers as the music began, captivated. I couldn't find anything that sounded so beautiful in this year's brochure, but I had been very tempted by a dance party with dance lessons at several times through the night in which all the participants wore headphones to hear the music. The interpretation was that the experience would at once bring people together and isolate them, but mostly it'd be fun to partake in a silent dance party, if only the boys in my Nuit Blanche crowd could have been convinced to dance.
The most wonderful part of La Nuit Blanche is not the art itself but the spirit of the city. For one night, the city is bustling, vibrating well into the wee hours, and not just with skimpily dressed clubbers. There's a fair amount of wine flowing but the overriding sentiment is not one of drunken debauchery but a collective high of young people out to celebrate the last few days of nice weather before being plunged into the long, dark nights of a cold Parisian winter. It's a night to be carefree and stay out way past your bedtime, a night to stare at modern art in confusion with your friends and people you'll never see again. It's a night to enjoy being alive, a night you're glad only happens once a year, yet a night to look forward to every year. Vive la Nuit Blanche!



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